1. mocoart:

    Hi Queridos Mocosos,
    You may or may not have noticed our doors have not opened this month. We had to cancel this months show. Our wonderful owner, Eli, was the victim of a vicious attack and injured last Sunday. She is in a hospital recovering. For more info on the incident and on how to help, click the link below.

    i’m going to reblog this again because on my bike ride home from work today a dude stopped in the middle of the street to scream slurs at me and threaten to rape me because, apparently, i am a dumb fat whore hogging the road and sexual violence is a reasonable response. i’m gonna donate some more and i encourage you to do so as well, because drivers are insane and rape culture is worse. what a cool patriarchy we’ve got here. be a shame if somebody SMASHED IT

     
  2. On Audre Lorde’s Legacy and the “Self” of Self-Care, Part 2 of 3

    lowendtheory:

    image

    [Image: from the Black Community Survival Conference, DeFremery (locally known as Lil’ Bobby Hutton) Park, Oakland, CA, March 29, 1972. I first encountered this image via Alondra Nelson’s brilliant book Body and Soul: The Black Panther Party and the Fight Against Medical Discrimination.]

    “If I were president, I would solve this so-called welfare crisis in a minute and go a long way toward liberating every woman. I’d just issue a proclamation that ‘women’s’ work is real work.”
    - Johnnie Tillmon, “Welfare as a Women’s Issue.”

     ”The modern world hates to see black folks resting.”
    - Lewis Gordon, “African American Philosophy, Race, and the Geography of Reason.”

    Part One here.

    This post is an experiment. It attempts to find a new route to the question of what it means to politicize Audre Lorde’s legacy.  Its search is partly in response to what I described in part 1 as the tendency in some cases to deify Lorde by extracting her from the political context in which she lived, or by reducing her to a set of pithy (if brilliant) quotations, or by invoking her as an unqualified paragon of black women’s resilience.  In attempting to route the conversation differently, my strategy is to try and glimpse Lorde through an archive that is not of her published writings but of a set of struggles and contexts that affirm dimensions of her humanity and her work that are too rarely emphasized—her struggles with health and wellness, her status as worker, her vulnerability to the very discourses that demand that she be seen as powerful.  Doing this means following a route that may, to some, seem rather circuitous.  I can only hope that by the end, those divergences will make some sense.

    Read More

    this is really thought provoking and everyone should read it imo

     
  3. (Source: oh-whiskers)

     
  4. 00:31 27th Mar 2013

    Notes: 2036

    Reblogged from bigbigtruck

    Tags: artart historyfeminisms

    bigbigtruck:

    stevebuscreaming:

    timrothinimmensepain:

    i want my erotic art to be accessible to all genders bc it’s always infuriated me how easy it is for men (and women) to dismiss female driven representations of sexuality (yaoi, fanfiction, boy bands, twilight, etc). 

    like think of how many women are perfectly all right with male driven representations of women in a sexual context, how women even idealize and romanticize it (gil elvgren, erich sokol, bettie page, 50s pinups in general) and talk about these things as though they come from a simpler, classier time. really it’s just the same old male sexual fantasies about women from a patriarchal society, except it’s dressed up in some pretty art and stocking garters so maybe we don’t recognize it as the same thing. but it is. it’s not what we’re used to but it’s the same shit we’ve been fed for all our lives. (and i say this as a fan of all those erotic artists)

    think of how many women artists, regardless of their sexual preferences, draw pinups of women to relax, and yet there is no male equivalent of that activity? and there are things that probably contribute to this, like:

    • female pinup art is so good and tasteful that it creates a space of sexuality women are comfortable with and find appealing, and women artists want to imitate this
    • we are so normalized to women depicted in a sexual context and the idea of fluidity of female sexuality that female artists drawing other women has become considered safe and acceptable 
    • women are, in general, better at drawing women because they have obviously a much better reference point

    but we’ve built a culture where even in female friendly havens such as tumblr we dismiss the importance of female sexuality in the media. regardless of quality these are important parts of our culture. no one can deny how important sex is in our media culture, and if we’re ever going to have female driven creations be taken seriously we need to stop dismissing representations of female sexuality as low art. we need to ask ourselves- how much of our opinions of female driven media are based on taste and how much of them are social conditioning?

    and ANYWAY i guess long story short my secret hope and my ultimate goal is i want to make erotic art that can’t be dismissed. i want to make  art that very specifically depicts female sexuality, AND is accessible and tasteful in a way that means anyone can like it, erotic art drawn from a female POV. i want to draw things that make people think, regardless of their sexual preferences, “hey that’s pretty cool. i wanna try doing that.”

    cool thoughts that art historians should think about, in this, my opinion 

    (Source: pollums)

     
  5. punctuatedlife:


Until right now, Tumblr returned zero results for either “support Anita Sarkeesian” or “I support Anita Sarkeesian.” Let’s share our support and drown out her misogynist detractors!


i have some criticisms of her first tropes v women video but overall i think she’s a cool lady with a cool project and reading the completely vile and violent MRA reactions she’s been getting makes me ill

    punctuatedlife:

    Until right now, Tumblr returned zero results for either “support Anita Sarkeesian” or “I support Anita Sarkeesian.” Let’s share our support and drown out her misogynist detractors!

    i have some criticisms of her first tropes v women video but overall i think she’s a cool lady with a cool project and reading the completely vile and violent MRA reactions she’s been getting makes me ill

     
  6. readnfight:

    by Rowland Túpac Keshena

    For those who don’t know much about me, I am a currently studying for a Masters Degree in Public Issues Anthropology, specializing in a Fanon and MLM infused analysis of revolutionary Native nationalist and anti-colonialist movements in North Amerika. I also have really strong interrelated interests in revolutionary critical pedagogy, the “reindigenization” of the Chicano community and movement and, the subject of this post, indigenous feminism. Anyway, one of the perks of my program is that I can create my own courses, and I’ve taken such a route this semester by creating my own directed studies course in indigenous feminist theory.

    The growth of indigenous feminism is, for me, a huge interest, both personal and academic, not just because of the obvious importance struggling against both white supremacist (ne0)colonial capitalism and hetero-patriarchy if we want to achieve meaningful freedom, justice and equality, but also because for a long time the status quo within our movement was that you could not be both a feminist and a native warrior. On the one hand we are not Native enough if we call ourselves and our movement feminist, but on the other we are not feminist enough for the whitestream feminists since we pointing out that the whitestream movement does not take us, and our unique experiences and struggles into account. I am indigenous man and I find this to be one of the greatest failings of our movement, and for that reason I wholeheartedly endorse, support and promote the rise of an indigenous feminism.

    Anyway, with that in mind and in the spirit of sharing ideas, and radical education I’ve decided to post my reading list for others to take a look a lot, critique and/or otherwise contribute their thoughts. It’s made up of a mix of books and articles, both academic and non-academic, which are available on line.

    Books:

    Making Space for Indigenous Feminism, edited by Joyce Green

    I Am Woman: A Native Perspective on Sociology and Feminism, by Lee Maracle

    From a Native Daughter: Colonialism and Sovereignty in Hawaii, by Haunani-Kay Trask

    Conquest: Sexual Violence and American Indian Genocide, by Andrea Smith

    Talkin’ Up to the White Woman: Indigenous Women and Feminism, by Eileen Morton-Robinson

    Online Articles:

    Indigenous Feminism Without Apology, by Andrea Smith

    Jennifer Nez Denetdale on Indigenous Feminisms

    An Indigenous Perspective on Feminism, Militarism, and the Environment, by Winona LaDuke

    Zapatismo and the Emergence of Indigenous Feminism, by Aida Hernandez Castillo

    Academic Journal Publications:

    Wicazo Sa Review “Native Feminisms: Legacies, Interventions, and Indigenous Sovereignties,” guest edited by Mishuana R. Goeman and Jennifer Nez Denetdale

    Whiteness Matters: Implications of Talking Up to the White Woman, by Eileen Morton-Robinson

    Race, Tribal Nation, and Gender: A Native Feminist Approach to Belonging, by Renya Ramirez

    Introduction: Special Issue on Native American Women, Feminism, and Indigenism, by Anne Waters

    Patriarchal Colonialism and Indigenism: Implications for Native Feminist Spirituality and Native Womanism, by M. A. Jaimes Guerrero

    Dismantling the Master’s Tools with the Master’s House: Native Feminist Liberation Theologies, by Andrea Smith

    oh my gods yes. This reading list is amazing.

     
  7. image: Download

    coolchicksfromhistory:

A 1979 clipping via Planned Parenthood of Los Angeles.  
Angelenos: Planned Parenthood is having a foodie fundraiser tomorrow, March 7, 2013.  Details here.

    coolchicksfromhistory:

    A 1979 clipping via Planned Parenthood of Los Angeles.  

    Angelenos: Planned Parenthood is having a foodie fundraiser tomorrow, March 7, 2013.  Details here.

     
  8. thearkhproject:

    audaciaray:

    Psssttt… We just lowered the prices on Pros(e) issue #1 and Cooking in Heels. Pros(e) is now $8 hard copy (plus shipping) or $5 as an ebook (was $13/$8), and Cooking in Heels is $10 hard copy (plus shipping) or $7 as an ebook (was $18/10). Buy them directly from Red Umbrella Project. Your dollars help Red Umbrella Project to produce more sex worker made media (like issue #2 of Pros(e), which debuts in early summer), advocate for the rights of sex workers, and provide workshops and support for people who want to make some change.

    Please continue to support the works of QPoC!

    i got my copy of Cooking in Heels last week and it’s really great! totally worth the $10 for a hard copy, and i’m basically on the edge of my seat hoping to hear she’ll be doing a cooking show.

     
  9. reagan-and-sara:

    Señorita Extraviada, Missing Young Woman tells the story of the hundreds of kidnapped, raped and murdered young women of Juárez, Mexico. The murders first came to light in 1993, and young women continue to “disappear” to this day without any hope of bringing the perpetrators to justice. Who are these women from all walks of life and why are they getting murdered so brutally?

    The documentary moves like the unsolved mystery it is, and the filmmaker poetically investigates the circumstances of the murders and the horror, fear and courage of the families whose children have been taken. Yet it is also the story of a city of the future; it is the story of the underbelly of our global economy.

    This film is a really powerful part in shaping my feminism and my relation to my culture not only as a mexican, but as a mexican from the borderlands of el paso and juarez. 

    Before this film was released, most of the discourse around the feminicide in juarez was shaped by popular cultural understandings about women through patriarchal and misogynist frameworks. They were considered as inevitable, as happening because of dark, poor women not adquately meeting gendered and sexual expectations.

    Portillo’s intervention is to sit with ghosts. To invoke a sort of presence through the absence of these women, and to think more critically about the other mechanisms which have and continue to render them dead and disappeared. She turns the narrative back onto the state, onto neoliberalism, and capitalist enterprise, and to patriarchy and a culture of rape and commodification of women’s labor and their bodies. What Fragoso calls a “sexually commodified object”. 

    Portillo’s aesthetic choice in how she edited the film though, is not concerned with trying to solve the issue. Which for its time, was totally unheard of. Rather than focus on the voices of experts on the issue, all of which were law enforcement, forensic scientists, political officials, and white sociologists and criminologists profiting off the death of these women through tabloids, Portillo listens and lets speak the families of the dead and disappeared. She invokes the visuality of spirituality and hauntings that are central to mexican cultural ideals, and lets them arise through third world ways of knowing, of relating to the self in a way that is not built solely on western knowledge. 

    For instance, her interview with the family of Sagrario Gonzalez Flores, centralizes the fact that Sagrario’s mother comes to know of her daughter’s death through an affective moment with the family pet parakeet. Paula Flores’ knowledge of her daughter’s death came not from law enforcement, who failed to protect her family, but from an animal, and the film takes this claim seriously; an act that defies the capitalist logic of the expert who are complicit in institutions promoting the feminicide to begin with. 

    I’m making this film available online, not for profit, or to belittle and make light of the effort that the las mujeres de ciudad juarez and lourdes portillo have put into making these interventions, but because as a mexican from the borderlands, this film is really the only means I have to even try and come to terms with, or fathom how to deal with the wound that this feminicide has dealt us. This film is the only medium by which I can begin to envision what justice can look or feel like outside of the legal system, which perpetuates this violence. 

    a cool & thoughtful post by a cool & thoughtful person

     
  10. 01:23

    Notes: 1222

    Reblogged from ilikesynthesizer

    Tags: bell hooksfeminisms

    image: Download

    readabookson:

Aint i A Woman
https://anonfiles.com/file/81b95aa8e335602d1627e178361c8a72
teaching to transgress
https://anonfiles.com/file/ce1aa726056c9c89856f49854159281c
we real cool black men and masculinity 
https://anonfiles.com/file/15d29e3946bf42ced3519fe4cbd3aa52
black looks race and representation
 https://anonfiles.com/file/d81ed7db51b55057f1002dc958abe461
Outlaw Culture 
https://anonfiles.com/file/ed1d030995be1d461e8f01c1b24bc442
Feminism is for Everybody 
https://anonfiles.com/file/5a31a895c6f4d226dd0ef07f88c8cbfd

daily reminder to read bell hooks, but not only bell hooks

    readabookson:

    Aint i A Woman

    https://anonfiles.com/file/81b95aa8e335602d1627e178361c8a72

    teaching to transgress

    https://anonfiles.com/file/ce1aa726056c9c89856f49854159281c

    we real cool black men and masculinity 

    https://anonfiles.com/file/15d29e3946bf42ced3519fe4cbd3aa52

    black looks race and representation

     https://anonfiles.com/file/d81ed7db51b55057f1002dc958abe461

    Outlaw Culture 

    https://anonfiles.com/file/ed1d030995be1d461e8f01c1b24bc442

    Feminism is for Everybody 

    https://anonfiles.com/file/5a31a895c6f4d226dd0ef07f88c8cbfd

    daily reminder to read bell hooks, but not only bell hooks

     
  11. insecurelobster:

    Even though I joke about it a lot, it really bothers me when people think misandry is a real threat and is just as bad as misogyny.

    When I say I don’t like men, it doesn’t mean I want to hurt them and control them and take away their agency over their own bodies.

    It means I want them to leave me alone. 

     
  12. 14:28 31st Jul 2012

    Notes: 50

    Reblogged from agnesbsquare

    Tags: feminismsconsent is cool

    image: Download

    daveholmes:

The hostess at The Village on Ventura is just impossibly beautiful. Initially I was calling her Restaurancé, but now I think I’ve settled on Holly Robinson Eat.

the joke’s funny but dude it’s kind of creepy to a) take pics of women you don’t know w/o their consent and b) put them on tumblr again w/o their knowledge or consent (i’m guessing?). :x i’d be uncomfortable if it were me.

    daveholmes:

    The hostess at The Village on Ventura is just impossibly beautiful. Initially I was calling her Restaurancé, but now I think I’ve settled on Holly Robinson Eat.

    the joke’s funny but dude it’s kind of creepy to a) take pics of women you don’t know w/o their consent and b) put them on tumblr again w/o their knowledge or consent (i’m guessing?). :x i’d be uncomfortable if it were me.

     
  13. image: Download

    steelandwheels:

Neat sculpture by Rachel Kneebone at the Brooklyn Museum.

very cool, i don’t know her work at all!

    steelandwheels:

    Neat sculpture by Rachel Kneebone at the Brooklyn Museum.

    very cool, i don’t know her work at all!

     
  14. dont-do-that:

    I spend more time than I should thinking about the act of criticism. I read a lot of it, and I like to think about how we should do it, and ultimately what I think often divides good criticism from bad criticism is found in the intentions of the reviewer. Through the language we use, we can read…

    this is a cool post about words, imo

     
  15. image: Download

    fuckyeahkathleenhanna:

Kathleen Hanna, Zine Symposium, 19 November 2011

two of my favorite artists in the same image!

    fuckyeahkathleenhanna:

    Kathleen Hanna, Zine Symposium, 19 November 2011

    two of my favorite artists in the same image!

    (Source: hannahorovitz)