In a way, when people see an artist of African origin, they think: oh, he is here to protest. Yes, okay, I am here to protest, but I am going to do it like a gentleman. It is going to look very nice. You are not even going to realize that I am protesting, you are going to invite me to your museum because the work is nice, and then when I am inside it is too late. But I have to do it nicely—because if I am already coming to you with a knife, you’re going to send me away.
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